Two annotated copies of the same script side by side on a meeting table

Script coverage is a short written report on a screenplay, prepared by a reader for a producer, agent or studio: a logline, a synopsis, comments on the script's strengths and weaknesses and a verdict of pass, consider or recommend. It exists so busy decision-makers can judge a script without reading every page themselves.

This guide explains what a coverage report contains, how a script doctor differs from a reader, and how to give and receive script notes without losing the story you set out to tell. If you have not finished a draft yet, the how to write a screenplay guide comes first.

What is script coverage?

Script coverage is a gatekeeping tool. Production companies, agencies and contests receive far more scripts than their decision-makers can read, so readers read them first and write coverage. A good report lets someone decide in a few minutes whether to spend an evening on the full script.

Writers also buy coverage from independent services to get a professional read before sending a script out. The format is the same; the difference is that the report is written for the writer, not for a buyer.

What a coverage report contains

Coverage formats vary by company, but most include the same parts:

  • Title page details — title, writer, genre, page count, setting and the period it covers.
  • Logline — the story in one or two sentences. If the reader struggles to write it, that is already a note; see the logline guide.
  • Synopsis — a summary of the plot, from a paragraph to two pages, written neutrally.
  • Comments — the reader's assessment of premise, structure, characters, dialogue, pacing and market, usually a page or so.
  • A ratings grid — each area marked excellent, good, fair or poor.
  • A verdict on the script, and sometimes a separate one on the writer.

Pass, consider and recommend

The verdict is the part most people read first. Pass means the company should not pursue the script; most scripts receive one. Consider means it has real strengths and is worth a closer look, often with reservations. Recommend means the reader thinks the company should act on it, and readers give it rarely because their judgment is on the line. A script can earn a pass while the writer earns a consider — a sign the writing is strong even if this project is not right.

Script coverage example

Here is a short sample coverage report for an imagined feature developed from Last Call, the cold-open screenplay in our museum. Real reports run two to five pages; the shape is what matters.

FieldEntry
TitleLast Call
GenreCrime drama
Length104 pages
LoglineWhen a soaked young man walks into her all-night diner with a bag of cash from a father who died six years ago, a guarded diner owner must decide how much of her own past she will risk to keep him alive.
PremiseGood
StructureFair
CharactersExcellent
DialogueGood
VerdictConsider

Comments: the opening is a strong hook and Mara is a distinctive lead, but the second act repeats the same threat three times before the midpoint reveal. Combining the motel and garage sequences would bring the midpoint forward by ten pages. Jonas needs a want of his own beyond survival. Recommend a rewrite focused on the middle before the script goes out.

The grid gives a reader's verdict at a glance; the comments justify it. Coverage readers usually choose one of three verdicts: pass, consider or recommend. A recommend is rare and puts the reader's own name behind the script.

What does a script doctor do?

A script doctor is a writer brought in to fix specific problems in a screenplay — a sagging middle, flat dialogue, a lead the audience does not root for — usually when a project is already in development. Where a reader diagnoses, a script doctor treats: they rewrite scenes, sharpen characters and solve structural problems, often without screen credit.

Script consultants sit between the two. They read the whole script and give detailed notes, sometimes over several drafts, but leave the rewriting to the writer.

How to give script notes

Useful notes describe the reader's experience, not the fix. "I lost track of what Pia wants after the laundromat scene" helps a writer; "cut the laundromat scene" may solve the wrong problem. A few habits help:

  • Start with what works, specifically. Writers need to know what to protect.
  • Give the biggest notes first — premise, structure, the protagonist — before dialogue or typos.
  • Point to pages. "Around page 40" is easier to act on than "in the second act".
  • Ask questions where you are unsure. "Is the ending meant to be ambiguous?" opens a conversation.
  • Keep notes about the script the writer is writing, not the one you would have written.

How to take script notes

Receiving notes is a skill. The best response to a note is usually curiosity about what caused it, sometimes called the note behind the note: a reader who says a scene is too long may really be bored because the scene's turn comes too late. Change the turn and the length may stop being a problem.

  1. Read all the notes once without replying, then put them away for a day.
  2. Sort them: notes several readers agree on, notes that match a doubt you already had, and notes that would turn the script into something else.
  3. Find the cause behind each note you accept, and fix that rather than the symptom.
  4. Make the changes in a new draft, keeping the old one so you can compare.
  5. Read the new draft straight through before sending it back out.

AI script coverage and its limits

AI tools can now read a draft and give coverage-style notes — on structure, stakes, character change and pacing — in minutes. That makes them useful for a fast first pass before you ask a person to spend hours on your script. They are not a replacement for a professional reader's judgment about a market, a company's slate or whether a script will move a room, and they are not human coverage. Use them to find questions worth asking, then decide the answers yourself.

Write it in Scenaloom

Scenaloom's Script Doctor advisor gives notes on your draft, aimed at the biggest structural and character problems — cause and effect, stakes, conflict, escalation and change — and suggests focused revisions grounded in your scenes. Run Script Doctor gives a structural read of an episode with notes for each scene and issues ranked by priority. It is an AI read, not professional human coverage, and any change it proposes waits for you to apply it — see the AI writing assistant, and collect human notes with comments and version history.

Questions

What is script coverage?

Script coverage is a report written by a script reader that summarizes and evaluates a screenplay for a producer, agent, studio or contest. It usually includes a logline, a synopsis, comments on premise, structure, characters and dialogue, a ratings grid and a verdict of pass, consider or recommend. Writers can also buy coverage to get feedback before submitting.

What do pass, consider and recommend mean in coverage?

They are the reader's verdict. Pass means the company should not pursue the script, which is the most common result. Consider means the script has clear strengths and deserves a closer look, usually with reservations. Recommend means the reader believes the company should act on it and is the rarest verdict. Readers sometimes rate the writer separately from the script.

What is a script doctor?

A script doctor is a screenwriter hired to rewrite parts of a screenplay that are not working, such as dialogue, pacing, a character or a structural problem, often late in development or before production. Unlike a script reader, who only evaluates, a script doctor makes the changes, and the work frequently goes uncredited on screen.

Is AI script coverage worth using?

AI script coverage can be a quick, low-cost first read that flags structural problems, unclear stakes or flat character arcs before you share a draft with people. It does not replace a professional reader's judgment of market fit or a producer's taste. Treat its notes as questions to investigate, and decide yourself which ones serve the story.

How do I respond to script notes I disagree with?

Look for the note behind the note. Even when a suggested fix is wrong, the reader usually felt something real — confusion, boredom or disbelief — at that point in the script. Find what caused that reaction and solve it your own way. If several readers flag the same spot, take it seriously even if you reject every proposed fix.